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1.3-4
Enūma eliš 1.3-4 · Apsû and Tiamat
Before the gods, there are two waters: Apsû, the sweet water under the earth, and Tiamat, the sea.
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3𒍪𒀊𒈠𒊕𒌅𒌑𒍝𒊒𒋗𒌦
4𒈬𒌝𒈬𒋾𒊩𒆳𒈬𒀠𒇷𒁕𒀜𒁶𒊑𒂠𒌦
the lines as the scribe pressed them into the clay, read left to right
Apsû-ma1
𒍪𒀊Apsû-𒈠ma1
Apsûma
Apsûthe Deep
,
reš-tu-ú2
𒊕reš-𒌅tu-𒌑ú2
rēštû
the firstforemost
,
za-ru-šu-un3
𒍝za-𒊒ru-𒋗šu-𒌦un3
zārûšun
their begettertheir father
,
Mu-um-mu4
𒈬Mu-𒌝um-𒈬mu4
Mummu
Mummumaker
Ti-amat5
𒋾Ti-𒊩𒆳amat5
Tiāmat
Tiamatthe Sea
,
mu-al-li-da-at6
𒈬mu-𒀠al-𒇷li-𒁕da-𒀜at6
muallidat
who borebirth-giver of
gim-ri-šù-un7
𒁶gim-𒊑ri-𒂠šù-𒌦un7
gimrišun
them alltheir totality
,
Apsû, the first, their begetter, [and] Mummu-Tiamat, who bore them all,

Apsû, the first, their begetter, [and] Mummu-Tiamat, who bore them all,
Interpretation
there was Apsû, the first, their begetter, and Mummu-Tiamat, who bore them all.

Two parents stand at the beginning, and both are water. Apsû is the fresh water that rises in springs and wells; Tiamat is the salt sea. The word tiāmat is the same old Semitic word as Hebrew təhôm, “the deep”, in Genesis 1:2: “darkness was upon the face of the deep”.

Mummu is a puzzle. Langdon read it as “Word”, the Babylonian Logos, and a Greek scholar of the 6th century, Damascius, reports a Babylonian creation story with Apasōn, Tauthe and their son Mōymis: Apsû, Tiamat and, it seems, Mummu. Here Mummu stands next to Tiamat as her title.

The poem’s own clay: a fragment of the First Tablet from the library of Ashurbanipal at Nineveh, 7th century BC (British Museum K.3473). The lines on this card were pressed into tablets like this one with a cut reed.Photo: Zunkir, Wikimedia Commons · CC BY-SA 4.0
1.5-6
Enūma eliš 1.5-6 · Their waters mingled
Fresh water and salt water mix. Nothing has been built and no land has risen.
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5𒀀𒈨𒌍𒋗𒉡𒅖𒋼𒎙𒄿𒄭𒄣𒈠
6𒄀𒉺𒊏𒆷𒆠𒄑𒍮𒊏𒋗𒍝𒀀𒆷𒊺𒀪
the lines as the scribe pressed them into the clay, read left to right

their waters mingled together; no reed hut had been knotted, no marsh had been seen;
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