A ESCRAVA ISAURA

A Escrava Isaura 10.50 · 10.50

'I have a bad feeling'

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Tenho má fé, continuou o doutor todas as vezes, que vejo uma mulher bonita viajando em paizes estranhos em companhia de um homem, que de ordinario se diz pae ou irmão della.

Word by word

TenhoTE-nyuI havemámaa badféfefeeling,continuoukon-ti-nu-Owent onouthedoutordo-TORdoctortodasTO-dasheveryasashthevezesVE-zishtime,quekethatvejoVE-zhuI seeumaU-maamulhermu-LYERwomanbonitabo-NEE-tabeautifulviajandovi-a-ZHAN-dutravellingemẽinpaizespa-EE-zishpartsestranhosish-TRA-nyushforeignemẽincompanhiakom-pa-NYEE-athe companydediofumũahomemO-mẽman,quekewhodediofordinarioor-di-NA-ri-uordinarilysesiitself / oneselfdizdeeshcalls himselfpaepaifatherouoorirmãoir-MÃUbrotherdellaDE-laher.

The setting

I have a bad feeling, the doctor went on, every time I see a beautiful woman travelling in foreign parts in the company of a man who ordinarily calls himself her father or brother.

A note on this passage

Geraldo's worldly suspicion falls, cruelly, on the truest bond in the book. He distrusts the woman travelling with a man 'que de ordinario se diz pae' — who ordinarily says he is her father — the phrase dripping with insinuation that the paternity is a cover for something sordid. But Miguel is her father, in every way that the heart counts: the man who kept the canoe ready, who rowed her free, who offered his savings for her freedom. The doctor's cynicism cannot conceive of a devotion so pure precisely because his world runs on suspicion, and Guimarães lets the contrast wound: the one genuinely selfless love in the ballroom's field of vision is the one the clever man is surest is a fraud. Innocence, to the knowing eye, always looks like the best disguise.

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