A fragment of free Portugal
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Para D. Antonio e para seus companheiros a quem elle havia imposto a sua fidelidade, esse torrão brasileiro, esse pedaço de sertão, não era senão um fragmento de Portugal livre, de sua patria primitiva: ahi só se reconhecia como rei ao duque de Bragança, legitimo herdeiro da corôa; e quando se corrião as cortinas do docel da sala, as armas que se vião, erão as cinco quinas portuguezas, diante das quaes todas as frontes se inclinavão.
For Dom Antônio and the companions on whom he had imposed his fidelity, this patch of Brazilian earth, this piece of backland, was nothing but a fragment of free Portugal, of his original homeland: there the only king acknowledged was the Duke of Braganza, lawful heir to the crown; and when the curtains of the hall's canopy were drawn, the arms one saw were the five Portuguese shields, before which every brow bowed.
For Dom Antônio and the companions he had bound to his fidelity, this patch of Brazilian earth was only a fragment of free Portugal, his first homeland: here the one king acknowledged was the Duke of Braganza, lawful heir to the crown; and when the canopy's curtains were drawn, the arms shown were the five Portuguese shields, before which every brow bowed.
Here the whole meaning of the house crystallizes: it is a sovereign scrap of unconquered Portugal, loyal to the Braganza pretender rather than the Spanish king. Alencar makes the politics visual — a curtain drawn back on a coat of arms, heads bowing — turning a private grievance into a small, defiant government-in-exile hidden in the Brazilian bush.
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O Guarani 2.34 — The Great Library Project interlinear edition · greatlibraryproject.com/book/guarani/2.34/