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Meditations 3.11.1 · 3.11.1

The Discipline of Defining Impressions

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Τοῖς δὲ εἰρημένοις παραστήμασιν ἓν ἔτι προσέστω, τὸ ὅρον ἢ ὑπογραφὴν ἀεὶ ποιεῖσθαι τοῦ ὑποπίπτοντος φανταστοῦ, ὥστε αὐτὸ ὁποῖόν ἐστι κατ’ οὐσίαν, γυμνόν, ὅλον δι’ ὅλων διῃρημένως βλέπειν καὶ τὸ ἴδιον ὄνομα αὐτοῦ καὶ τὰ ὀνόματα ἐκείνων, ἐξ ὧν συνεκρίθη καὶ εἰς ἃ ἀναλυθήσεται, λέγειν παρ’ ἑαυτῷ.

To the attitudes already described, let one more be added: always to draw a boundary or outline around whatever presents itself as an impression, so as to see it exactly as it is in its essence — naked, whole and entire, taken apart piece by piece — and to name it to yourself, both its own proper name and the names of the elements from which it was compounded and into which it will dissolve.

Word by word

ΤοῖςToi͂sto theδὲandεἰρημένοιςeirēménoisalready namedπαραστήμασινparastḗmasinattitudesἓνhènoneἔτιétistillπροσέστωproséstōlet be added,τὸtheὅρονhórona boundaryorὑπογραφὴνhupographḕnan outlineἀεὶaeìalwaysποιεῖσθαιpoiei͂sthaito drawτοῦtou͂of theὑποπίπτοντοςhupopíptontospresenting itselfφανταστοῦphantastou͂impression,ὥστεhṓsteso asαὐτὸautòitὁποῖόνhopoi͂ónwhat sortἐστιestiisκατ’kat’in respect ofοὐσίανousíanits essence,γυμνόνgumnónstripped bare,ὅλονhólonwholeδι’di’throughὅλωνhólōnand throughδιῃρημένωςdiēirēménōspart by partβλέπεινblépeinto seeκαὶkaìandτὸtheἴδιονídionownὄνομαónomanameαὐτοῦautou͂itsκαὶkaìandτὰtheὀνόματαonómatanamesἐκείνωνekeínōnof those things,ἐξexout ofὧνhō͂nwhichσυνεκρίθηsunekríthēit was compoundedκαὶkaìandεἰςeisintowhichἀναλυθήσεταιanaluthḗsetaiit will be dissolved,λέγεινlégeinto nameπαρ’par’toἑαυτῷheautō͂iyourself.

The setting

Continuing the list of mental attitudes for handling impressions, Marcus adds one more: always define or outline whatever presents itself to the mind, see it stripped to its bare essence, and name both the thing itself and the elements it came from and will dissolve into.

A note on this passage

This unit adds one more attitude to the list already given earlier in Book 3: whenever anything presents itself to the mind as an impression, mark out its boundary or outline, so as to see it exactly as it is in essence — bare, whole, and taken apart piece by piece. The vocabulary is technical: φανταστόν is the raw impression (φαντασία) before assent, and ὅρος and ὑπογραφή are the dialectician's tools for pinning a thing down, the familiar pairing of strict definition with looser sketch drawn from the Stoic logical curriculum. The same procedure of relentless, deflating definition recurs elsewhere under the name of "physical definition," most memorably at 6.13, where Marcus strips honors and fine food down to flesh, blood, and mucus; here the method is stated as a bare rule before it is ever applied to a case.

The second half turns from definition to genealogy: name the thing itself, and also name the elements it was compounded from and will dissolve into. This ties the exercise to Marcus's recurring physics of σύγκρισις and διάλυσις, the coming-together and coming-apart of elements that governs every body in his Stoic cosmos, echoed in 4.21's talk of things buried and transformed and in 2.17's verdict that a life is a brief sojourn amid flux. The undercurrent is not merely logical but consoling: a prized or dreaded object, once seen as a temporary compound already on its way to dissolution, loses the false completeness that ordinarily gives it power over desire and fear.

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