
The bard sings the bitter homecoming
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αὐτίκα δὲ μνηστῆρας ἐπῴχετο ἰσόθεος φώς. τοῖσι δʼ ἀοιδὸς ἄειδε περικλυτός, οἱ δὲ σιωπῇ ἥατʼ ἀκούοντες· ὁ δʼ Ἀχαιῶν νόστον ἄειδε λυγρόν, ὃν ἐκ Τροίης ἐπετείλατο Παλλὰς Ἀθήνη.
At once the godlike man went among the suitors. For them a renowned bard was singing, and they sat listening in silence; he was singing the Achaeans' bitter homecoming, which Pallas Athena had laid on them from Troy.
With Athena gone, the poem returns to the hall, where the suitors are being entertained by Phemius the bard.
The scene turns from the god's visit to the hall. Telemachus goes among the suitors, and a famous singer is performing for them: the Achaeans' bitter homecoming from Troy — the disastrous returns Athena herself had inflicted on the fleet. The suitors sit and listen in silence.
The undercurrent is a poem listening to itself. The Odyssey is a nostos-song, and here, inside it, a bard sings nostoi — the wretched returns of the other Greeks, the dark backdrop against which Odysseus's still-unfinished homecoming is measured. It is also the very song about to bring Penelope down the stairs: for her the theme is not entertainment but the open wound of the one return that has not come.
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