The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 1.332 · Book 1, lines 332–335

Veiled at the doorpost

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ἡ δʼ ὅτε δὴ μνηστῆρας ἀφίκετο δῖα γυναικῶν, στῆ ῥα παρὰ σταθμὸν τέγεος πύκα ποιητοῖο, ἄντα παρειάων σχομένη λιπαρὰ κρήδεμνα· ἀμφίπολος δʼ ἄρα οἱ κεδνὴ ἑκάτερθε παρέστη.

And when she, shining among women, reached the suitors, she stood beside the doorpost of the well-built hall, holding her shining veil before her cheeks; and a trusty handmaid stood on either side of her.

Word by word

sheδʼd’(and)ὅτεhótewhenδὴdḕ(at last)μνηστῆραςmnēstêrasthe suitorsἀφίκετοaphíketoreachedδῖαdîashiningγυναικῶνgynaikônamong women,στῆstêshe stoodῥαrha(then)παρὰparàbesideσταθμὸνstathmònthe doorpostτέγεοςtégeosof the hallπύκαpýkawellποιητοῖοpoiētoîomade,ἄνταántabeforeπαρειάωνpareiáōnher cheeksσχομένηschoménēholdingλιπαρὰliparàher shiningκρήδεμναkrḗdemnaveil·ἀμφίπολοςamphípolosa handmaidδʼd’(and)ἄραára(then)οἱhoiby herκεδνὴkednḕtrustyἑκάτερθεhekátertheon either sideπαρέστηparéstēstood.

The setting

Penelope, having come down from the upper chamber, reaches the hall where the suitors are gathered.

A note on this passage

Penelope reaches the hall but does not enter it. She stops at the doorpost, at the edge of the room full of men, and holds her veil before her face; a maid stands on either hand. The scene freezes her at the threshold — present, seen, but shielded.

The undercurrent is the veil. Holding the κρήδεμνον before her cheeks is the gesture of a modest wife before strangers, but it is also self-defense: she screens herself from the suitors who want her, standing guarded between two attendants at the margin of her own hall. Homer's formula δῖα γυναικῶν, ‘shining among women,’ crowns a woman whose whole art in this poem will be to be looked at and to give nothing away.

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