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O Guarani 17.5 · 17.5

D. Antônio and Isabel

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D. Antônio de Mariz, sentado junto de sua mulher, contemplava por entre uma abertura das folhas o céu azul e aveludado de nossa terra, que os filhos da Europa não se cansam de admirar. Isabel, encostada a uma palmeira nova, olhava a correnteza do rio, murmurando baixinho uma trova de Bernardim Ribeiro.

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D.AntôniodeMariz,sentadosen-TA-dooseatedjuntoZHOON-toobesidededeofsuaSOO-ahismulhermoo-LYERwife,contemplavakon-tem-PLA-vagazed atporporthroughentreEN-treebetweenumaOO-maaaberturaa-ber-TOO-ragapdasdashin thefolhasFOH-lyashleavesooothecéuSE-ooskyazula-ZOOLblueeeeandaveludadoa-ve-loo-DA-doovelvetydedeofnossaNO-saourterraTEH-haland,quekewhichosooshthefilhosFEE-lyooshchildrendadaofEuropanãonowngneversesethemselvescansamKAN-sowngtirededeofadmirarad-mee-RARadmiring.Isabel,encostadaen-kosh-TA-daleaningaaagainstumaOO-maapalmeirapal-MAY-rapalmnovaNO-vayoung,olhavao-LYA-vawatchedaathecorrentezako-hen-TE-zacurrentdodooof therioHEE-ooriver,murmurandomoor-moo-RAN-doohummingbaixinhoby-SHEE-nyoosoftlyumaOO-maatrovaTROH-vaballaddedeofBernardimRibeiro.

The setting

D. Antônio de Mariz, seated beside his wife, gazed through a gap in the leaves at the blue, velvety sky of our land, which the children of Europe never tire of admiring. Isabel, leaning against a young palm, watched the current of the river, softly humming a ballad of Bernardim Ribeiro.

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